Looking into my I’s…

This blog has been around a long time. So long, in fact, that when I started it, I was still purposely using lower case i’s for relaying my thoughts. I was reminded of this – along with many half-forgotten sentiments – while preparing to write my previous post.

In recent years, it has occurred to me several times that the blog’s design could use a modern makeover – and each time, I give it a little thought and then land on not revamping it.
That decision encompasses choosing not to go back and correct those lower case i’s. 
There was a reason behind them, though I never explained it to readers.

My recent memoir unburied my earliest inclinations toward the unconventional usage. In a 1998 message to a new long-distance pen pal, having set up an email account for the first time just months prior, I gave my reason for acquiring the habit:

I determined email was a poor substitute for face-to-face time with friends, and that, as my personal acknowledgment of email’s limitations, I would refer to myself in my messages with the lower case instead of capital i.

More than twenty years later – but before I rediscovered the original rationale – a good friend who’d checked out the blog received this explanation from me:

This is a style choice i adopted in the 1990s. Just because i liked it. To me it symbolized that i’m one person in a world of millions, just as important but no more important than anyone else.
(I’ve been told by another blogger that it could be harming my blog’s SEO because of some filter for appearing uninformed or unserious.)

I hadn’t been aware of the shift in my reasoning. The quirkiness of it as well simply appealed to me.
Part of what prompted me to return to convention is in the parentheses, but a more important factor was finally feeling ready for the legit self-assertion of writing the book. 

Rivers has a lot to say about memories we keep and those we discard – consciously as well as unconsciously. It also reveals a lifelong urge to preserve. Lately that urge has been infused with a greater focus on preserving only what *really matters*. 

There could hardly be a more concrete illustration of having to make that distinction than the home decluttering kick I’ve been on lately, with its contemporaneous curating. I like the (simpler) term ‘simplifying’ even more. It fits with a mantra I keep in mind whether tidying digital files or sorting closets: retrieval is everything. Neither things nor memories are much good to me if I can’t find them.

The same goes for keeping my writing notes organized – so thatI’ll be able to access later the most critical of the all too fleeting thoughts and ideas. When inspiration is kicking in, it can feel like being under a spell. But for anything to come of it after stopping to make breakfast, I need my notes.

Both digital and physical organizing bring to mind another quote from the book:

As I sit down to show you what happened, I feel an urge to run away from the laptop and do something easier, less fraught, like organizing a closet. Well, maybe that’s not a bad metaphor for what I am doing. It starts off messy – *I* feel messy – yet there’s hope I’ll be able to bring some order.

What I find satisfying about these varying types of tasks  – including thinking through my I’s and why I won’t change the old ones – is what they have in common.They preserve history, bring clarity to disorder, and shed the unneeded.

Worthy goals, in my eyes.

Somewhere different still…

Some songs I love don’t just make me feel more keenly alive, they attach themselves to my insides, to my story – for good.

This was on my mind when I decided to revisit my 2014 post about the song “Somewhere Different Now” by Girlyman. To my chagrin, I found the old media links no longer usable – not that surprising after this many years. It was good to find this out so I could rectify it here. Another serendipitous aspect of going back: I’d forgotten the rich conversation that ensued in the old post’s comments

I’m glad as well for the occasion it presents to reflect anew on my connection to the song. As it happens, pondering former sources of meaning in an updated context represents one theme of the song itself.

The lyrics intertwine familiar details from the songwriter’s surroundings with expressions of disillusioned hopefulness. That’s where the relatability for me is – in that incongruity, and in how memories tied to place can amplify it.

Who knows the somewhere I’ll be the next time I listen?

What bears repeating…

Whenever I’ve been away from this blog for a while, something about the return always gets me pondering the nature of the whole writing enterprise.

Long abandoned has been my early aim of posting here weekly. Over the years, extended gaps between date headings usually pointed to background turbulence, in the form of personal difficulties I sometimes told you about later. 

More recently, it was the elongated Rivers project that kept me away. 

In both scenarios, as I debated whether to share with readers something of my coping or composing processes, I asked myself why you’d be interested at all. A familiar trope about writers labels them arrogant – it may apply to personal essayists above all. For my taste, those who lean too heavily into advice-giving or who obsess over minutiae tend to lose me. (An old favorite quip: “Is it solipsistic in here or is it just me?”) 

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Coming ashore…

The artistic endeavor is contemplation twice rewarded.

I wrote that line in a long-ago post about exploration and discovery. So often our creative impulse springs up from an emotion or idea – and then our attempt to express it leads to others that surprise us.

In a discussion with fellow creatives a while back, one advice-giver urged that we talk about our projects with everyone we encounter, even in line at the grocery store. Her point was that it feeds our own energies and may find us a few interested “followers.” The suggestion didn’t ring helpful for me, maybe because imagining myself on the receiving end in that checkout line makes me feel sort of put upon. 

It’s true, though, that in my everyday interactions, if others ask what I’ve been up to, I’m only too eager to tell about it. This post is an iteration of that, because if you are a follower of this blog, you have, by implication, already asked. And if you’ve been here long, you’re aware my creative energies have been diverted for some time to a separate longform project.

In other words, I’ve been out exploring.

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Remembering…

Music is…the most reliable engine of nostalgia. But as I get older, I’ve come to see that nostalgia is not just about looking back at good times. It can also be a remembering of the exquisite pleasure of longing, of anticipation of the life you want so badly, of the self you will make of the materials you collect along the way.

Lydia Polgreen

(photo by Rula Sibai)